Ré(z)oné is a 50-min performance with two dancers mocking the systems that codify reality and return to the construction of the imagination.

Resistance, resilience, it all comes from a musical calling, “the round” that we wait for—announcing a new cycle to unbuild, stretch, distort.

It is about exploring trajectories and asserting creolity as an “open identity”.

A music/body crossover, a work criticizing borders, in which the round danses so the bodies can play. One wants to transcend reality, the other is poetry

Today, whilst tensions arise through nations, the dancers discuss the infinity and unpredictability of relationships between cultures, places, and temporalities… a discussion of bodies that translates transformations, their rhythms, their limitations and their horizons. Jean-Claude Bardu and Hubert Petit-Phar question the relationship between the Human-being/the Territory, through their dispositions, tying and untying a political statement.